Sunday, September 21, 2014
"A curious but understandable thing happened in the eighteenth century. By then, the cities of Europeans had done well enough by them, mediating between them and many harsh aspects of nature, so that something became popularly possible which previously had been a rarity - sentimentalization of nature, or at any rate, sentimentalization of a rustic or a barbarian relationship with nature[...]
In real life, barbarians (and peasants) are the least free of men - bound by tradition, ridden by caste, fettered by superstitions, riddled by suspicion and foreboding of whatever is strange. "City air makes free," was the medieval saying, when city air literally did make free the runaway serf. City air still makes free the runaways from company towns, from plantations, from factory-farms, from migrant picker routes, from mining villages, from one-class suburbs.
Owing to the mediation of cities, it became popularly possible to regard "nature" as benign, ennobling, and pure, and by extension to regard "natural man" (take your pick of how "natural") as so too. Opposed to all this fictionalized purity, nobility and beneficence, cities, not being fictions, could be considered as seats of malignancy and - obviously - the enemies of nature. And once people begin looking at nature as if it were a nice big St. Bernard dog for the children, what could be more natural than the desire to bring this sentimental pet into the city too, so the city might get some nobility, purity, and beneficence by association?"
- Jane Jacobs, The Death and Life of Great American Cities, Chapter 22, "The kind of problem a city is"